Inclusion dismantled: how to practice commoning art

08.03.’22

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° n/a EN
Tags: art , diversityinclusiov

A two-day seminar where we explore the relation between art, cultural diversity and inclusion

Description

Inclusion is an often-heard term in - but also outside - the cultural sector today. Finding ways to reach a more diverse audience has been a hot topic for a while now, at least in the Netherlands and Flanders. Yet more often than not, this ‘diverse’ audience has been mostly invited to join and participate in a culture that is created by consensus of only a dominant part of the cultural field. ‘Inclusion’ in this way is primarily regarded as a means of gathering a heterogenic assemblage of people and perspectives to fold unilaterally into a dominant culture, rather than finding new ways of embracing the richness of diversity by building something new altogether.

Yet, as research has pointed out, art has the power to bridge, connect, and emancipate multiple groups and viewpoints. Art is a medium par excellence to build but also disrupt consensus. On the other hand, research has also showed the opposite can be true. Art can divide, exclude, and be only accessible for the few. In the latter, art is used to propagate and frame certain viewpoints and meanings while suppressing others. In both cases, inclusion and exclusion seem to be two sides of the same coin. That begs the question how to create art practices that problematize this relationship. How can art steer towards bridging between different cultural forms of expression and meaning, instead of being a bonding vehicle for separate cultures, which in the end can lead to more polarization and exclusion?

In this two-day workshop we will explore from various perspectives and theoretical angles the question of how to practice what we call ‘commoning art’: from the perspective of the maker, the researcher, the audience and from theoretical notions such as consensus/dissensus, internal and external social cohesion, agonistic democracy and commoning. In this seminar, participants are invited to think, do and experience together. Therefor we invited artists and researchers from a wide range of disciplines: choreographer Amparo Gonzales Sola, scenographer Jozef Wouters, cultural sociologist Pascal Gielen, performance artist Ahilan Ratnamohan, city poet Seckou Ouologuem and theater maker Sara Vertongen. The seminar will be moderated by Jan Jaap Knol, director of Boekman Foundation, institute for arts, culture and related policy in the Netherlands. During the two days, artist Karina Beumer will capture the event with drawings.

We warmly welcome makers, researchers and students to participate.

Program

Day 1 - 8 March

  • 09:30 - 09:45 Introduction by moderator Jan Jaap Knol
  • 09:45 - 10:45 Art Practice (1) Globe Aroma and Decoratelier - Underneath Which Rivers FlowBarry Ahmid Talib & Jozef WoutersFilm & talk
  • 10:45 - 11:30 Art as critical ally? Part ICommoning art at the center of cultural policiesLecture by Aart van der Maas and Hanka Otte
  • 11:30 - 11:45 Break
  • 11:45 - 12:30 Panel discussion with Jozef Wouters, Aart van der Maas, Hanka Otte and the audience, moderated by Jan Jaap Knol
  • 12:30 - 13:30 Lunch break with free form table-drawing
  • 13:30 - 14:30 Art Practice (2) Ahilan Ratnamohan & Explore the North – Pidgin Instituut LeeuwardenPerformance & talk
  • 14:30 - 16:00 Conversation between participants and the founders of Pidgin Instituut Leeuwarden, moderated by Jan Jaap Knol

Day 2 - 9 March

  • 09:30 - 09:45 Reflection on the first day and introduction to the second day by Jan Jaap Knol
  • 09:45 - 10:45 Art Practice (3) Seckou Ouologuem & Pieter Cools – WordW(a)arPerformance & talk about dissensus in slam poetry
  • 10:45 - 11:30 Art as critical ally? Part IIArt, Agonistic Democracy and Dissensus: how could that work?Lecture by Pascal Gielen
  • 11:30 - 11:45 Break
  • 11:45 - 12:30 Panel discussion with Seckou Ouologuem, Pieter Cools, Pascal Gielen and the audience, moderated by Jan Jaap Knol
  • 12:30 - 13:30 Lunch break with free form table-drawing
  • 13:30 - 14:45 Discussion: How to make dissensus visible, negotiable and workable?
    • Parallel workshops (1,5h): 1. Amparo Gonzalez Sola – Dance2. Sara Vertongen – Basj – Participatory Art in Public Space
  • 14:45 - 15:00 Break
  • 15:00 - 16:00 Fishbowl Conversations moderated by Jan Jaap Knol (1h)
  • 16:00 - 17:00 Conclusion – Reflection of the seminar by and through the drawings of Karina Beumer and the table-drawings made during lunch.

Remarks

The entrance fee for 2 days, including coffee, tea & lunch is 20 euros. Free for students.

Course number:
n/a
Type:
Lectures and study days
Area of interest:
Art and Culture
Language:
EN
Academic year:
2021 - 2022
Starting date:
08.03.2022
Location

University of Antwerp, Lange Sint Annastraat 7, 2000 Antwerp

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